I Found All the Parts: Healing the Soul Through Rock n Roll

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On the heels of his self-titled debut and the 5-song EP, Songs I Forgot, that came before it, Son Little found his reach steadily growing. Where his previous releases had been culled from various eras and scattered sessions early in his career, he now craved an opportunity to sit and write a new album in a distinct, unified direction, one that would establish his place in the world of black music. The only problems were: when, and how?

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I kept the wheels turning by doing those exercises, but I knew it would feel really luxurious to be able to sit down by myself and write something from scratch. I was really hungry to get in that space and chisel out something new, without being interrupted by sound tel: fax: Caledonia Street, 2nd Floor, Sausalito, CA checks and rides in vans and radio.

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All that stuff is cool and I was having a blast touring, but a crucial part for me was missing. I wanted the writing to be broken up as little as possible. The limitations he encountered while performing a debut record with so much studio sorcery via a live band onstage each night were influential in terms of how he began thinking about a followup.

I Found All the Parts : Healing the Soul Through Rock 'n' Roll

Finally, in the fall of last year, Son Little found himself in such a place, and it was there at the end of a tour in the remote, tropical Northern Territory of Australia that he looked up in the sky and saw the perfect alignment. Benefitting from several hours free on a string of consecutive days as well as the excitement of alien terrain and the inherent magic in a borrowed instrument, he felt things starting to come together.

I found myself with a few hours to kill a couple days in a row, and I set up in the hotel and just kinda followed the process: I found a rhythmic idea I liked and then sang and played a little guitar over it.

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Like a tip jar in a cafe that fills up after the first dollar goes in, you need that first little piece to slide into place and then the whole thing comes together. I ran off five songs all in the same day. There was no melody, no words I know now that if I get part of the melody, a phrase or two, and a tempo, then the rest will follow. So I wanted to follow that pattern for the new songs and let the idea grow from that without worrying about what the production would sound like or which guitar to use.

I was more focused on finding the song and the arrangement.

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I needed a guitar and he was nice enough to loan it to me; I took it upstairs and all those songs came out of it. You hear people say guitars have songs in them, and that one certainly did.

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They were letting themselves be influenced by other stuff, be it jazz or Latin music or whatever, but they were just making songs and musically doing what felt good. You can stick your hand in there and get it wet.

I Found All the Parts: Healing the Soul through Rock 'n' Roll (Unabridged)

My music has a kind of magic in it, being connected to whatever those forces are. With its origins predating the Australia trip, the song has the appeal of an instant classic, a feeling that did not escape its maker, either. That feeling is somewhat hanging over this whole album: watch me make something out of thin air.

Phillips was a man of strong faith, a deacon in his church, and in his music Son Little found a source of forgiveness as well as an inspiration to carry on. This banner text can have markup. Search the history of over billion web pages on the Internet.

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